To me, many newer instruments don’t have the “soul” of these heirloom instruments, and they seem almost lifeless and sterile by comparison. I suspect that many new piano dealers have not had the privilege of that experience, hence their prejudice against restoration and preservation. I have played Chopin and Schumann on restored 19th Century upright and grand pianos, the same instruments these masters would have played, and the power and warmth was incredibly moving. I got chills down my back because of the experience, knowing I was hearing the music the way Beethoven’s audience heard it firsthand. I have personally sat down and played Beethoven piano sonatas on a restored pre-Civil War square grand piano. I approach these vintage instruments from a pianist’s point of view first, and from a technical point of view second.
#KIMBALL REED ORGAN SERIAL NUMBERS PROFESSIONAL#
However, there are also those who love and cherish these heirloom instruments and those who are passionate about restoring and preserving them for future generations.īeing a professional pianist is what got me so involved with piano restoration and preservation. Much of this prejudice comes from the fact that many in the piano industry have little (if any) experience with antique instruments and they are afraid of what they do not understand. Unfortunately, there are a lot of piano tuners and technicians out there who do not believe that heirloom instruments deserve restoration and preservation. I have clients approach me asking, “Is my antique piano worth restoration?” My answer is almost always YES because of what I have seen in the real market over the past several years. It is rare that we encounter those who take much middle-ground on the subject.
“It seems as if there are two basic mindsets in the piano industry: Those who value their heirloom pianos, and those who think they are junk.
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